[R515.Ebook] Ebook Freemium Mobile Games: Design & Monetization, by Mr. Dimitar Dragomirov Draganov

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Freemium Mobile Games: Design & Monetization reveals the essence of what freemium games are and provides a framework of best practices and in-depth game design schematics for developers to follow. Although the interaction of brilliant game design and monetization mechanisms based on scientific psychological research has successfully stormed the top grossing mobile charts, the roadmap to success remains elusive… until now. Freemium Mobile Games: Design & Monetization is a detailed guide for the new wave of gaming industry professionals that have to embrace the overwhelming trend of games as a service. The free games that already dominate the billion mobile market, have stolen a lot of the industry's brightest away from console and desktop game production, but this new mobile playground also has new base rules. The book frames this ongoing industry shift as the substitution of AAA publishing with HHH polishing and outlines for developers the new path to success. Freemium Mobile Games: Design & Monetization is also suitable for casual gamers who enjoy playing Clash of Clans in the mornings, Puzzle & Dragons in the evenings and Candy Crush Saga in-between. Examples from these and many more iOS and Android games are employed, to illustrate both best practices and poor game design decisions that can make or break the user experience. Many of the psychological mechanisms exploited by freemium game design to keep casual gamers playing and spending are demystified, which allows users to identify and counteract exploitative biases such as priming, loss aversion, anchoring, sunk cost fallacy, and many others.

• Sales Rank: #83069 in Books
• Published on: 2014-07-28
• Original language: English
• Dimensions: 9.25" h x .51" w x 7.50" l,
• Binding: Paperback
• 226 pages

About the Author
Dimitar Draganov is a game design and monetization expert with background in economics, statistics and psychology. After spending his youth as a professional gamer in the strategy, shooter and moba genres he got inspired by the rise of freemium and has spent the last five years building a career solely focused on the mobile gaming space. Dimitar's vast hands-on experience with game design, monetization, predictive analytics and CRM systems during pre-production, production and live operations of mobile games makes him an extraordinary source of know-how and in-depth understanding of the free-to-play business model that currently dominates mobile. Dimitar's formal education includes a BA in Integrated Social Sciences from Jacobs University Bremen, an MA in Economics from Brown University and an M.Sc. in Probability and Statistics from Sofia University.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Best book on freemium game design!
By Joan Simon
As a game industry veteran who has spent the last 10 years producing both premium and freemium titles, I found this book really exciting! Usually I have my producer plate full, so I have to stay away from the intricacies of game design, but this was so well written and so full of examples from my favorite games that I quickly got into it.

I highly recommend this book to anyone who knows what freemium or game design is.

1 of 1 people found the following review helpful.
An invaluable reference for the current state of free to play games
By Kingpin
I'm new to the field of free to play. My processional background is in console game design. I've recently taken an interest in making the switch to developing mobile games. This was the 1st book I came across via my Kindle Unlimited account and thus checked it out at no additional cost.
What a wealth of information, and the concepts are straight forward for anyone to grasp from neophyte, to hobbyist, to professional. I can easily recommend this to any developer jumping into this genre.
The book is extremely well divided so even experts can jump to 2nd part of the book that deals with monetization and how to do it better.
I hope this helps.

1 of 1 people found the following review helpful.
Hands down one of the best resources on freemium games monetization techniques
By Petar Dobrev
Hands down one of the best resources on freemium games monetization techniques! The author dissects some of the top-grossing free to play mobile hits and explains what makes them tick. A great resource to any freemium game designer!

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[D862.Ebook] Download Ebook Diccionario Jazaro - Novela Lexico (Spanish Edition), by Milorad Pavic

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• Sales Rank: #4207485 in Books
• Published on: 1998-04
• Original language: Spanish
• Number of items: 1
• Dimensions: .81" h x 5.48" w x 8.66" l,
• Binding: Paperback
• 256 pages

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0 of 0 people found the following review helpful.
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[E577.Ebook] Ebook Download Who Fears Death, by Nnedi Okorafor

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An award-winning literary author enters the world of magical realism with her World Fantasy Award-winning novel of a remarkable woman in post-apocalyptic Africa. 

In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. A woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her Onyesonwu, which means "Who fears death?" in an ancient language.

It doesn't take long for Onye to understand that she is physically and socially marked by the circumstances of her conception. She is Ewu—a child of rape who is expected to live a life of violence, a half-breed rejected by her community. But Onye is not the average Ewu. Even as a child, she manifests the beginnings of a remarkable and unique magic. As she grows, so do her abilities, and during an inadvertent visit to the spirit realm, she learns something terrifying: someone powerful is trying to kill her.

Desperate to elude her would-be murderer and to understand her own nature, she embarks on a journey in which she grapples with nature, tradition, history, true love, and the spiritual mysteries of her culture, and ultimately learns why she was given the name she bears: Who Fears Death.

• Sales Rank: #1047 in Books
• Published on: 2011-06-07
• Released on: 2011-06-07
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .80" w x 6.10" l, .84 pounds
• Binding: Paperback
• 400 pages

Amazon.com Review
An Origin Story Nnedi Okorafor is a writer of Nigerian descent known for weaving African culture into creative evocative settings and memorable characters. She is know for her young adult novels, including The Shadow Speaker and Zahrah the Windseeker. “My life fell apart when I was sixteen. Papa died.” Those are the opening lines of Who Fears Death. I remember when I wrote them. I was thinking of Chinua Achebe’s Things Fall Apart. I was thinking of change, cultural shift, chaos. Okonkwo’s death. And my own father’s very recent death. Yeah, all that in those two lines. In more ways than one, the opening scene of Who Fears Death, titled “My Father’s Face”, was the beginning of it all. Originally, it was not the beginning of the novel. This scene takes place well into the story when my main character Onyesonwu is sixteen and has been through so much. The original beginning was when Onyesonwu was five years old and happy, living with her mother in the desert. Nevertheless, “My Father’s Face” was the first scene I wrote. Though my stories tend to be mostly linear, I’m a non-linear writer. I’ll write the middle, then the ending, then the beginning and kind of jump around until I’m done. Then I’ll tie all the scenes together and neaten it up. Nevertheless, when Who Fears Death was all said and done, I wasn’t surprised that “My Father’s Face” turned out to be the beginning of the actual book. I started writing Who Fears Death just after my father passed in 2004. I was very very close to my father and writing was my way of staying sane. I based “My Father’s Face” on a moment I experienced at my father’s wake when everyone had cleared out of the room and I found myself alone with his body. I was kneeling there looking at his face, thinking how much it no longer looked like him and how terrible that was. My morbid thoughts were driving me into deeper despair. Then suddenly I felt an energy move though me. This energy felt highly destructive, as if it could bring down the entire building. Almost all the details in the scene I went on to write were true, I felt them…well, up to the part where Onyesonwu makes her father’s body breath. As soon as I wrote that scene, everything else rushed at me. My father’s passing caused me to think about death, fear, the unknown, sacrifice, destiny and cosmic trickery. Only a week or so after my father’s passing, I read the Washington Post article, We Want to Make a Light Baby: Arab Militiamen in Sudan Said to Use Rape as Weapon of Ethnic Cleansing by Emily Wax. I was absolutely infuriated. The storytelling spider in my head started weaving faster. I realized that this article was showing me why the people in my story’s town disliked Onyesonwu and why she was so troubled. My mother, my sister Ifeoma and my brother Emezie flew with my father’s body back to Nigeria for his burial. When they returned, I learned through my siblings about the way widows were treated within Igbo custom, even the ones with PhDs…like my mother. I was again infuriated. And I was reminded yet again of why I was a feminist. A year later, I went to Nigeria for the one-year memorial where I met my cousin Chinyere’s fiancé Chidi. His last name was Onyesonwu. I was intrigued. I knew “onye” meant “who” and “onwu” meant death. I wondered if it was an ogbanje name (these named often have the word “death” in them). I’d always been interested in the concept of the ogbanje. Amongst the Igbos, back in the day, girls who were believed to be ogbanjes were often circumcised (a.k.a. genital mutilated) as a way to cure their evil ogbanje tendencies. I asked my cousin’s fiancé what his name meant (I thought it would be rude to ask if it was an ogbanje name. Plus it was his last name, not his first.). He said it meant, “Who fears death.” That night, I changed my character’s name and the title of the story. When I did that, it was as if the novel snapped into focus. During that trip, I touched my father’s grave. I heard stories about the Biafran War and arguments about how what happened during this civil war was indeed the genocide of the Igbo people. I saw death on the highway and thanked the Powers That Be that my daughter (who was some months over one year old) was asleep. I got to watch the women in my father’s village sing all night in remembrance of my father. My maternal grandmother, mother, daughter and I were all in the same room at the same time- four generations. My sister Ngozi and I visited the lagoon that seemed so huge when we were kids but was really quite small. It was populated by hundreds and hundreds of colorful butterflies. I wrote, conceived and incubated parts of Who Fears Death while in my father’s village, sometimes scribbling notes while sitting in the shade on the steps outside or by flashlight when the lights went out. I wrote notes on the plane ride home, too. When I think back to those times, I was in such a strange state of mind. My default demeanor is happy. I think during those times I was as close to sad as I could get. When I got back to the States, I kept right on writing. Who Fears Death was a tidal wave and hurricane combined. It consumed all of my creativity and sucked in all the issues I was dealing with and dwelling on. It mixed with my rage and grief and my natural furious optimism. Yet when it came to writing the story, I was more the recorder than the writer. I never knew what was going to happen until my character told me and my hands typed it. When I finished Who Fears Death, it was seven hundred pages long. A Book 1 and a Book 2. Don Maass (my agent) felt this size was too great and suggested that I pare it down. This process took me another two years. One of my favorite quotes is from one of my greatest idols, Nigeria’s great writer and Nobel Laureate Wole Soyinka: “A tiger does not proclaim its tigritude. It pounces.” This tiger of a story definitely pounced on me without proclamation or warning. I’m glad I was ready for it. --Nnedi Okorafor

From Publishers Weekly
Starred Review. Well-known for young adult novels (The Shadow Speaks; Zahrah the Windseeker), Okorafor sets this emotionally fraught tale in postapocalyptic Saharan Africa. The young sorceress Onyesonwu—whose name means Who fears death?—was born Ewu, bearing a mixture of her mother's features and those of the man who raped her mother and left her for dead in the desert. As Onyesonwu grows into her powers, it becomes clear that her fate is mingled with the fate of her people, the oppressed Okeke, and that to achieve her destiny, she must die. Okorafor examines a host of evils in her chillingly realistic tale—gender and racial inequality share top billing, along with female genital mutilation and complacency in the face of destructive tradition—and winds these disparate concepts together into a fantastical, magical blend of grand storytelling. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Praise for Who Fears Death:

"Haunting and absolutely brilliant. My heart and guts are all turned inside out." —John Green, New York Times-bestselling author of The Fault in Our Stars

"Who Fears Death is one of the most striking, chilling, truly fascinating, and all-around remarkable novels I've read in a very long time.” —Peter S. Beagle, bestselling author of The Last Unicorn

"Nnedi Okorafor is American-born but her Nigerian blood runs strong, lacing her work with fantasy, magic and true African reality. Many people need to read Who Fears Death, it's an important book." —Nawal El Saadawi, bestselling author of Woman at Point Zero

"To compare author Nnedi Okorafor to the late Octavia E. Butler would be easy to do, but this simple comparison should not detract from Okorafor’s unique storytelling gift." —New York Journal of Books

"Both wondrously magical and terribly realistic." —The Washington Post

"Believable, nuanced characters of color and an unbiased view of an Africa full of technology, mysticism, culture clashes and true love." —Ebony Magazine (editor's pick)

"A fantastical, magical blend of grand storytelling." —Publishers Weekly (starred review)

"Beautifully written, this is dystopian fantasy at its very best. Expertly exploring issues of race, gender, and cultural identity, Okorafor blends future fantasy with the rhythm and feel of African storytelling. " —Library Journal (starred review)

"Her pacing is tight. Her expository sections sing like poetry. Descriptions of paranormal people and battles are disturbingly vivid and palpable. But most crucial to the book's success is how the author slowly transforms Onye's pursuit of her rapist father from a personal vendetta to a struggle to transform the social systems that created him." —The Village Voice

"Okorafor is a master storyteller who combines recent history, fantasy, tradition, advanced technology, and culture into something wonderful and new that should not be missed." —RT Book Review (top pick)

Most helpful customer reviews

6 of 6 people found the following review helpful.
Emotionally draining as it should be.
By Brent Lambert
The most powerful thing about this book was that it left me depleted. I was emotionally and mentally depleted after reading this book. Two days I spent enthralled in the story and by the end of it I was completely drained. That is a good thing. Powerful stories demand something of you. You don’t just get to walk into that world and come out the same. A good story should leave its mark on you, make you pay a price for reading it. That’s what this book did to me. It took me in and didn’t let me leave until it was done with me.

There were so many issues that this novel tackled. It deal with colorism, ethnic identity, rape, sexism, religion. And there are some readers out there who’re not able to handle this many issues getting thrown at them at once. They want something simpler to devour. I think that’s the case because often the people saying this don’t understand intersectional identities or even want to grasp the concept of it. Every character in this book is a crossroads of problems and issues. To me, their depth comes from the fact that they’re not just defined by one problem. They have many problems, many societal obstacles to deal. That is part of the richness of this book.

Rape is largely at the center of this story and make no mistake, it is no glorification or justification of it. This tackles it head on, brutally and unapologetically as such a subject should be. The descriptions and violence honestly made me cringe and I’ve never been a victim of such a brutal act. The images contained within this novel are so powerful that I wonder if it would actually trigger something in a rape survivor. I don’t know. I just know that what I read was violent, bloody and held back on no details. And the consequences of rape (side note: how despicable is it that we have consequences for a victim?) are laid out in this book with a harsh, revealing light.

The rape that sort of propels the story forward is the tragic sexual attack on Najeeba. She is a beautiful Okeke (an ethnic group I’ll talk more about later) woman and is seemingly living a simple life. One day her village is attacked by a group of Nuru (the other main ethnic group) and Najeeba is viciously raped. It’s a tough scene to read and I can only imagine it being a tough scene to write. It’s one of those scenes where you have to take a break and get a glass of water after you’re done. I can’t speak for the author, but man this must have been an emotionally draining scene to write just because of how brutal it is. Najeeba’s bastard attacker has the nerve to sing, to damn SING as he’s brutalizing a woman. I don’t know why but that particular detail just raises such anger in me. Najeeba manages to survive her rape, but she is rejected by her cowardly husband so she leaves home.

Now about these ethnic groups. Okeke and Nuru in the simplest of terms are dark-skinned and light-skinned, slave and slave master. The relationship is definitely one based on colorism, but it also has its roots in some of the justification used to enslave Africans in America. In this post-apocalyptic world there is The Great Book, the religious text that everyone draws their social mores from. In this book, it is basically outlined that Okeke are shameful and deserve to be slaves of the Nuru. Sound familiar? The same kind of justification was used by whites to enslave blacks when they referred to us as descendants of Cain, the first murderer. Religion was used to enslave it and it is used in this story to enslave the Okeke. This book is used to justify the mistreatment, rape and murder of the Okeke people, driving many of them to the East where they live as exiles.

This brings me to the main character, Onyesonwu, the daughter of Najeeba. She is neither Okeke nor Nuru. Because of her mixed blood and the circumstances of her birth she is called an Ewu. It is believed that the child of a violent rape is doomed to live a life of violence themselves. I think this is a statement on the danger of eugenics because how many articles are we starting to see pop up now that are trying to link personality traits and behavior to genetics? It’s a slippery slope and if we’re not careful we could be making our own Ewus in society.

So you can’t help but to feel bad for Onyesonwu. She’s getting it from all angles. Of course she deals with ridicule as being the child of a rape and all the stereotypes that come with that. Internally, she’s dealing with issues of wondering if she’s anything like her Father. She has to deal with being thought of as romantically unattractive and as just lest aesthetically pleasing to the Okeke people she lives amongst. To top it all off, she’s a strong-willed woman living in a society where women are regarded as less than. I think the deeper part of all of it, is that her very existence serves as a reminder of the violence and torture that the Eastern Okeke have tried to put out their minds. She’s a constant reminder of the brethren they have abandoned. It’s so true that the things we hate are often because they remind us of something ugly in ourselves.

I don’t want to give too much away, but Onyesonwu’s journey reminds me very much of the character of Aaang in some ways. The group of friends she gathers and the journey she embarks really does ultimately change the world she’s operating in. If a love of Airbender isn’t enough to get you to pick up this book it’s a post-apocalyptic African fantasy. Those three words alone should spike your interest. Ultimately, this is a book that tackles powerful topics that are so relevant to today’s world. Like I said, I walked away from this story depleted and I think that’s because even as I was whisked away to another world I was forced to still think about my own.

This and other reviews can be found at: https://www.facebook.com/rrapmag

8 of 9 people found the following review helpful.
Not your average fantasy novel
By JenP
Who Fears Death is a speculative fiction novel with fantasy elements that deals with issues of race, ethnicity, and gender. It is set in a fictionalized version of a post-apocalyptic Sudan and centers around a young woman, Onyesonwu (Ibgo for “who fears death).

Onyesonwu is referred to as an Ewu due to her mixed blood. She is was a child conceived from a brutal rape. Her mother is a member of the dark-skinned Okeke tribe who is raped by a man from the light-skinned Nuru tribe. The Nuru and Okeke people have a long, violent, and complicated history. As Onyesonwu matures, she discovers her history and she learns that she has magical powers. Along with a group of friends, she embarks on a a quest to find and defeat her father who is responsible for inciting genocide against her mother’s people.

I had only heard of the author from her young adult work. This certainly wasn’t geared toward young adults with respect to it’s content (e.g., rape, genocide, graphic descriptions of female circumcision) but the style of writing seemed very much to fall in YA genre. The novel tackles gender and racial stereotypes through use of a very strong, complex, and mixed race female protagonist but at times I found it a little obvious with the character explicitly stating about how women can be heroes too. I don’t think this was necessary because her actions were enough to show her strength as a woman without needing to sprinkle in statements explicitly describing her strength. I think this was why I felt like it had a YA feel to me. However, I did think it was a very engaging read that tackled a number of complex issues.

The prose is wonderful. Okorafor’s style combines elements of African folklore with modern ones, creating a story that is strongly rooted in tradition while at the same time forward-thinking in a way that is reminiscent of science fiction writing.

The novel is very close to fantasy genre. There’s magic and sorcery but from a cultural perspective that is different from what we normally see in fantasy. How many epic fantasy novels can you think of that feature a woman of color as the hero? I highly recommend this book for people who enjoy fantasy novels that tackle issues of racial and gender identity.

3 of 3 people found the following review helpful.
Hero's Journey
By Amazon Customer
Classic hero's journey set in a future Africa with a wonderful, mystical and brutally violent story. Reading the author's Origin Story before I read the book helped me to understand where she was emotionally when she wrote it. That combined with the recent abduction of 200+ Nigerian school girls to be sold as "wive's" to Islamic rebels, made reading the book all the more raw and real for me. The truth is, we live in this world she describes now. As an African American with an African mother and a white Father, one of the main themes of the story struck uncomfortably close to home - it brought back memories of the brief time I lived in my mother's homeland of South Africa. Not embraced by my mother's tribe as I was considered my father's child, I felt that similar "outcast" sensation with my light skin and freckles.
At any rate, I finished this book in a day, plan to read everything else Nnedi has written, enjoy!

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[J601.Ebook] PDF Ebook Educating Rita (Student Editions), by Willy Russell

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Educating Rita (Student Editions), by Willy Russell

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'One way of describing Educating Rita would be to say that it was about the meaning of education ... Another would be to say that it was about the meaning of life. A third, that it is a cross between Pygmailion and Lucky Jim. A fourth, that it is simply a marvellous play, painfully funny and passionately serious; a hilarious social documentary; a fairy-tale with a quizzical, half-happy ending.' Sunday Times

Educating Rita, which portrays a working-class Liverpool woman's hunger for education, premiered at the RSC Warehouse, London, in 1980 and won the SWET award for Best Comedy of the Year. It was subsequently made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.

Commentary and notes by Steve Lewis.

• Sales Rank: #295791 in eBooks
• Published on: 2013-06-06
• Released on: 2013-06-06
• Format: Kindle eBook

Review
“A simply�marvelous play, painfully funny and passionately serious; a hilarious social documentary; �a fairy-tale with a quizzical, half-happy ending.”―"Sunday Times of London"""�""

About the Author

Willy Russell was born in Whiston near Liverpool and is one of the most popular and successful contemporary playwrights whose works are studied in schools and colleges. His plays include: One for the Road, Stags and Hens, Educating Rita, Blood Brothers, Our Day Out and Shirley Valentine.

Most helpful customer reviews

6 of 6 people found the following review helpful.
You've seen the movie now read the play...
By Kali
Another thrift shop bargain that I picked up by chance. Like most people I've seen the movie with Michael Caine and Julie Walters but I wanted to see what they "play" version was like with only "Rita" and "Frank" seen at any given moment.

It is actually quite enlightening, the discourse is perky and colourful and the other characters we verbally "meet" in the play are only one dimensional in the sense they are talked about but never seen by the audience. However this does not make them any less real and we soon start to believe in their existence even though we never get to see them in the flesh.

This particular Longman book is quite good in that it gives a sturdy and interesting preface from Willy Russell himself, along with a fairly comprehensive glossary at the end and a reasonable study programme, rather basic if you are a graduate student but still useful for anyone who is a literature buff, be they beginner or expert.

Not bad for a book that cost less than a dollar is all I can say!

3 of 3 people found the following review helpful.
Script Plus Bonus Information
By Jim K
This version of Educating Rita is quite extensive. My wife and I saw the play recently and I wanted to review some of the dialogue to get more from it. This edition contains all the dialogue, stage directions, etc that you'd expect plus a lot of background information on the playwright. Good value and good information.

1 of 1 people found the following review helpful.
A challanging critique
By Anibelle
As we watch Rita become educated, we are able to see the effects of education on both Frank and Rita. In a world that idolizes education as the ultimate means to improving quality of life and as a benchmark of success, the play is a challenging question about the true worth and effects of education, especially institutional education. I highly recommend this for anyone who's ever asked whether a graduate degree would truly be a good idea.

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[W608.Ebook] Ebook Download Boy's Life and Other Plays, by Howard Korder

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The New York Production of Boys' Life--which won rave reviews and a Pulitzer prize nomination--established Howard Korder as one of the most exciting new talents in American theater. An acerbically funny portrait of 1980s male behavior, it tracks three young urbanites on the make through their nights and days. Howard Kissel of the New York Daily News proclaimed it "utterly captivating," and the New Yorker's Mimi Kramer called it "the most balanced and intelligent comment on the battle of the sexes I've seen in a long time."

• Sales Rank: #752757 in Books
• Brand: Brand: NY (1989)
• Published on: 1994-01-20
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .53" w x 5.51" l, .59 pounds
• Binding: Paperback
• 240 pages

Features

• ISBN13: 9780802131706
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Most helpful customer reviews

8 of 11 people found the following review helpful.
Boys' Life by Howard Korder
By LilahDH@aol.com
A hilarious and light-hearted comedy. Very Entertaining, an easy read. A good male monologue contained therein. Four good 1m/1f scenes, also. Good for highschool/college students to do scenes from.

0 of 0 people found the following review helpful.
Good Book
By sevensmart
I take one monologue from Boy's Life and need this book as a hard copy. I haven't taken a look at the other plays but yea, Interesting stuff!

0 of 0 people found the following review helpful.
Good show, not family friendly: just a note.
By mikehoncho
Grungy and covers material that can be offensive, but done well. Saw it live and wanted to read the play, and it did not disappoint.

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[Q308.Ebook] PDF Download The Secret of the Sands Trilogy, by Rai Aren, Tavius E.

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Hidden deep below the Great Sphinx, and within the heart of the Great Pyramid lie otherworldly secrets...

Hold on for a wild ride! The Secret of the Sands Trilogy is an adventure story in the spirit of Indiana Jones & The Mummy!

SECRETS. DESTINY. REVELATIONS.

DISCOVERY. WAR. REDEMPTION.

From the Great Sphinx to Petra to the Great Pyramid, journey on this epic archaeology adventure, weaving between the past and the present, to uncover hidden ancient secrets and fascinating mysteries about a long lost civilization…

*******

Secret of the Sands
For 12,000 years a dark and deadly secret has been hidden deep below the Great Sphinx. In present day Egypt, two archaeologists discover mysterious artifacts belonging to an unknown civilization. A frightening and awe-inspiring story unravels as the archaeologists race against time to decipher the dangerous knowledge they hold…


Destiny of the Sands
Some secrets cannot remain hidden…and some cannot be forgiven…

The Great Sphinx of Giza has guarded a secret, both dangerous and incredible, for 12,000 years. Now deadly enemies emerge, and those involved must face startling truths and deep sorrow, in the fight against the forces of tyranny...


Revelation of the Sands
A stunning revelation of secrets and destiny that will change everything…

Complete the epic journey begun in Secret of the Sands...

The mystery deepens. The danger is ever-present. Incredible discoveries await.

The Great Sphinx is not the only ancient wonder that has incredible secrets hidden deep within it. But uncovering these secrets will have life-changing consequences. There will be no turning back. It will take a great deal of courage and the testing of faith, on multiple fronts, to face them...

The final chapter in this archaeology adventure trilogy now unfolds. The characters you’ve come to know are suddenly thrust down a new, completely different, and even more personal path, to a point of no return. Their journey is about take another perilous turn with mysterious and surprising outcomes that will alter the course of their lives forever.

Journey through some of the most magnificent ancient places on earth and join this final adventure in the Secret of the Sands trilogy…

*******

Books in The Secret of the Sands Trilogy:

Secret of the Sands
Destiny of the Sands
Revelation of the Sands

• Sales Rank: #21568 in eBooks
• Published on: 2015-12-18
• Released on: 2015-12-18
• Format: Kindle eBook

Review
Praise for the story of Secret of the Sands

"This is my kind of book. The authors are extremely talented. I cannot praise this book enough. Fast paced, page turner, character development, fascinating plot...what more could I ask for."
- ReadersFavorite.com

"Their detailed storytelling paints a picture of ancient Egypt in all its glory. The reader feels they are a part of the book, living amongst the Kierani people."
- Authors on the Rise Book Reviews

"This is a WOW of a book!!...For those of us who are lovers of the ancient worlds, Egypt, present and past, archaeology, the metaphysical, and mystical happenings, this is a great choice for you."
- Ellen in Atlanta, Amazon Vine Voice, Top 1000 Reviewer

"This is a beautifully written book and I enjoyed reading it very much, and I would readily recommend it to anyone looking for a good story to read."
- Jym Cherry, reviewer, Sonar4 Science Fiction & Horror eZine

"This novel is innovative, concise and enthralling. Fluctuating between present day and ancient Egypt, the pace never decelerates. The reader is treated to plausible theories regarding many riddles of this mysterious civilization. This time-honored culture is so clearly portrayed with characters which are so skillfully brought to life that one can easily imagine they are actually present as events are unfolding."
-allthesebooks.com

"Rai Aren & Tavius E. write a spellbinding mix of mystery, history, fantasy, and adventure in this tale of two histories - one told in the present, the other told from the past - telling a story of misused power, learning how to trust, and the fate of civilization."
- TeensReadToo.com

"A deep probing mystery riddled with prophecy and danger, Secret of the Sands uses Egypt and her mythology as a backdrop to delve into the meanings of life and religion."
- McNally Robinson

"Rai Aren and Tavius E. have crafted a fast-paced, exciting novel overflowing with mystery and intrigue. The tension is constant. The characters fully developed. And the plot gripping. Ancient history and present day relevance are so expertly intertwined, that you might forget you are reading a work of fiction."
- Thomas Phillips, author of The Molech Prophecy

"The description that initially comes to mind is Indiana Jones, with a bit of Stargate, Mummy, and 5th Element, yet remaining completely unique. Secret of the Sands is an excitingly vivid, page-turning adventure infused with history, humor, and excitement. Rai Aren and Tavius E. have created a spectacular story with characters that I just love or simply love to hate. Like National Treasure, there is just enough historical and scientific fact mixed in to make the fictional story plausible and fun. And what a wonderful way to spotlight archaeological theories that have lost the public eye. I kept wanting to read and, by half-way through, I didn't want to put it down. Secret of the Sands was a thrill ride until the very end and I loved every minute of it!"
- Marauder, Deputy Headmistress of the Official Potterholics Annonymous

"Secrets, deceit and lies can make almost any novel exciting. But, add to that, two stories simultaneously told then throw in some romance, science fiction and a power struggle and what do you get? A true page turner that takes you on one heck of a journey."
- Michael Balkind, author of Sudden Death & Dead Ball

"The pacing is flawless, the characters well-defined, the history thoroughly researched. I would enthusiastically recommend this novel to anyone who wants a real page-turner!"
- Norma Beishir, author of Chasing the Wind & the bestselling novels Angels at Midnight & A Time for Legends

"The authors take us on a wild rollercoaster ride full of secrets, romance, lust, seduction, loyalty, royalty and deception that takes place 12,000 years ago where all is not as it seems. Two modern day Indiana Jones type archaeologists discover the secret of the sands and unravel the mysteries and dangers the secret holds."
- Mike Monahan, author of Barracuda

"I'd recommend this to anyone who is enchanted by ancient civilizations and the mysteries of how things might have come to be, such as why and how the Sphinx was constructed."
- Ruth Ann Nordin, Historical Romance Author

"Secret of the Sands is far from your typical archaeologist-finally-finds-ancient-archeotype scenario. It is much, much more. Definitely a book that one can say 'satisfies your thirst, yet leaves you quenching for more...'"
- J.R. Reardon, author of Confidential Communications & Dishonored

"Have you ever wondered how old the Sphinx really is? Have you been intrigued by the mysteries swirling like the desert sands around this awesome ancient monument? Rai Aren and Tavius E. have written a mesmerizing story in which two young archaeologists discover an artifact that could provide all of the answers. But they are not the only ones who are interested in this relic, for it holds a power unlike anything seen on Earth before...This novel is packed with adventure and suspense, and the style is fast-paced and filled with vivid description."
- Susan Jane McLeod, author of Soul and Shadow, Fire and Shadow & Shell and Shadow

"It is my belief that Rai Aren & Tavius E. fit as Master Storytellers and Great Authors."
- Lance Oren, author of Chances R & Hurac‡n

"A wonderful, exciting story!"
- Lila Pinord, author of Min's Monster, Skye Dancer & Evil Lives in Blue Rock

"The authors have successfully woven a story based on archeological events mixed with their own ideas of what happened to the Sphinx and the mysteries surrounding it."
- sabrinareviews.com

"This book bounces back and forth in a fascinating balance between modern day archeologists and a theoretical civilization from 12,000 years ago...The story is told in a deft, yet casual style that makes it accessible and fun for any reader."
- Donald Gorman, author of Paradox & The Red Veil

"The mark of a truly good story is one that transcends the ages. Although the writers may base some of their novel in the past, a good yarn echoes into the present and future, as well. Secret of the Sands cherishes love, family and honor, condemns evil and treachery and presents us with a tantalizing theory of what lies beneath the great sphinx."
- Ann B. Keller, author of The Devil's Crescent & Crenellations

"I recently finished this book, which I literally devoured,and was never so sorry to be finished with anything in a very long time. In all honesty, I'm not easily pleased when it comes to my favorite subject, ancient Egypt, and it takes a lot to grab and hold my attention. This book most assuredly did just that. The authors were able to seemlessly transition between ancient times and present day, never losing the momentum of the story. I particularly enjoyed the way they incorporated the possible premise that the Sphinx, not to mention the Egyptian civilization, is older than is commonly believed by the present day archeological community. I share that belief actually. I recommend this book strongly to anyone looking for a great read."
- S.K. Shirley, Williamsville, NY, USA

"Secret of the Sands mixes mystery, ancient Egypt, romance, and as well as paranormal elements to make a fascinating novel."
- Cheryl Koch, Amazon Vine Voice

From the Author
RAI AREN has been fascinated by ancient Egypt since childhood. Her interest in archaeology, as well as fantasy and adventure stories, led her to pursue her passion for storytelling. The Secret of the Sands Trilogy was a dream come true for her. Now, she is working on new stories in her Ancient Quest Mystery series, the first being the novella Lost City of Gold, and she looks forward to opening the door to more adventures for you to join her on...

For news on upcoming releases and exclusive bonuses, signup for Rai's
newsletter and get a FREE copy of Lost City of Gold: raiaren(dot)com
/Subscribe

Most helpful customer reviews

0 of 0 people found the following review helpful.
Could it be?
By Frank Seelye
Good read overall. I liked the characters although Bob and Jack did get quite annoying in the 3rd book (couple of whiners and a lot of it). A little less descriptive on the rationale of why characters do this or that would have been helpful. Drags on and on in spots detailing how the characters feel about this or that, and thus why they are behaving in such a way. The settings and ancient monuments as well as how they interconnected was a nice touch. Almost as if you were there. I enjoyed it. Thanks!

1 of 1 people found the following review helpful.
Wonderful Storytelling
By Mark Jacobs
I loved it from the start. It never got bogged down as some stories due to fill space. The characters were each unique and drew you to know them. I'm looking forward to a sequel (hint, hint) please. I would love to find out more of the past for of the people before the story begins and then the history down to present as well as the ongoing times of the four friends. Thank You both for this heart warming action adventure

1 of 1 people found the following review helpful.
Interesting and enjoyable read
By Amazon Customer gepum
I thought the chapters on the ancients were very well written. However some parts of the current age seemed a little shallow . Overall, an interesting and enjoyable read with an interesting take on ancient Egyptian history.

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[U387.Ebook] Get Free Ebook The U.S. Supreme Court: A Very Short Introduction, by Linda Greenhouse

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For 30 years, Pulitzer Prize-winning journalist Linda Greenhouse chronicled the activities of the U.S. Supreme Court and its justices as a correspondent for the New York Times. In this Very Short Introduction, she draws on her deep knowledge of the court's history and of its written and unwritten rules to show readers how the Supreme Court really works.

Greenhouse offers a fascinating institutional biography of a place and its people--men and women who exercise great power but whose names and faces are unrecognized by many Americans and whose work often appears cloaked in mystery. How do cases get to the Supreme Court? How do the justices go about deciding them? What special role does the chief justice play? What do the law clerks do? How does the court relate to the other branches of government? Greenhouse answers these questions by depicting the justices as they confront deep constitutional issues or wrestle with the meaning of confusing federal statutes. Throughout, the author examines many individual Supreme Court cases to illustrate points under discussion, ranging from Marbury v. Madison, the seminal case which established judicial review, to the recent District of Columbia v. Heller (2008), which struck down the District of Columbia's gun-control statute and which was, surprisingly, the first time in its history that the Court issued an authoritative interpretation of the Second Amendment. To add perspective, Greenhouse also compares the Court to foreign courts, revealing interesting differences. For instance, no other country in the world has chosen to bestow life tenure on its judges.

A superb overview packed with telling details, this volume offers a matchless introduction to one of the pillars of American government.

• Sales Rank: #16038 in Books
• Brand: Greenhouse Linda
• Published on: 2012-03-12
• Original language: English
• Number of items: 1
• Dimensions: 4.40" h x .40" w x 6.80" l, .24 pounds
• Binding: Paperback
• 144 pages

Features

• The U S Supreme Court A Very Short Introduction

Review

"[A] new one-of-a-kind book on the Supreme Court." --SCOTUSblog

"Linda Greenhouse has long been one of the most astute observers of the U.S. Supreme Court and most trusted translators of its mysteries and traditions. This elegant and concise guide is invaluable for beginners and veteran court watchers alike. An ideal introduction to the Court for students and citizens of all ages." --Jeffrey Rosen, professor of law, George Washington University, and legal affairs editor, The New Republic

"There is hardly anyone in the country, outside the Court, who knows the institution and its practices as well as Linda Greenhouse does."--Melvin I. Urofsky, author of Louis D. Brandeis: A Life

"Greenhouse cogently illustrates the history, functions, composition and importance of the Supreme Court. In a slim volume that you can literally carry around in your pocket, you will find a wealth of knowledge." --Yale Daily News

"[A]n amuse-bouche of a book . . . short, but pithy. After finishing this book, readers should be inspired to take up [Greenhouse's] implicit invitation to read about the Court and its impact on shaping American law in a more substantial, meatier format." --Judicature

"For those interested in how cases come to be heard by the Court, the process leading to a decision and the Court's relationship with the other branches of the federal government and the public, this is an excellent way to begin." --Washington Independent Review of Books

About the Author

Linda Greenhouse was the New York Times Supreme Court correspondent for 30 years, covering thousands of decisions written by 18 different justices. She was awarded a Pulitzer Prize in journalism (beat reporting) in 1998. She in now Knight Distinguished Journalist in Residence and Joseph Goldstein Lecturer in Law at Yale Law School and writes a biweekly opinion column on the Supreme Court and the law for the New York Times web site. Her books include Becoming Justice Blackmun: Harry Blackmun's Supreme Court Journey and Before Roe v. Wade: Voices That Shaped the Abortion Debate Before the Supreme Court's Ruling (with Reva B. Siegel).

Most helpful customer reviews

5 of 5 people found the following review helpful.
Great little book
By KG
I wanted a small and succinct reference book and there may be a better one, but I can't imagine there is. Something I was looking for was a list of all the justices and when they served. This book has that list and it's current; including Justices Roberts and Alito. When one is reading about a certain court decision one can look at that list and see who the other justices were and what president nominated them.
Just what I was looking for.

5 of 6 people found the following review helpful.
Brief, Elegant, Lucid, and Opinionated Gem
By Keith Wheelock
I unreservedly recommend Greenhouse's book for distinguished jurists and lawyers, as well as for laymen interested in the Constitution and the functioning of the Supreme Court. There are marvelous nuggets of personal insight and of judicial history and analysis that would enlighten us all.

Linda Greenhouse is one of my favorite Supreme Court chroniclers of our era. Winner of the Pulitzer Prize and other distinguished awards for her NEW YORK TIMES coverage of the Supreme Court (1978 to 2007, with a two-year break in the mid-80s),Greenhouse is uncommonly well versed in the Constitution, the Supreme Court, and the judicial personalities of recent Court justices. She also displays flashes of personal opinion, especially on abortion, same-sex marriage, and a flexible application of a constitution written nearly 250 years ago

Taking early retirement from the TIMES in 2008,Greenhouse teaches at Yale Law School and writes frequent, opinionated TIMES commentary columns. The most recent, 7/10/13, was on the debilitating long-term affect of carefully crafted, compromise Court majority opinions.

THE SUPREME COURT is part of the Oxford Very Short Introduction series that, since, 1995, has covered over 300 topics. In only 98 pages Greenhouse provides a thumb-nail sketch of the Supreme Court's history and several turning-point cases. Far more important, she describes, with exquisite examples: how the Court functions, critical issues of law, the long-term impact of public opinion, and how personal the process can become. This is the inside story from a highly-respected insider. (Seven of nine sitting Supreme Court justices attended her farewell party.)

As a layman, I have included the Constitution and various Supreme Court decisions in my college American history courses for over two decades, have read many books on diverse aspects of the Supreme Court, and, on occasion, have made public presentations on the Constitution. Greenhouse's book makes me feel like a constitutional and Supreme Court neophyte. Greenhouse has drawn on her forty plus years of experience to capture the essence of the Supreme Court through pithy examples and well-grounded personal opinions.

Perhaps most surprising, in such a slim book, is the space devoted to her criticism of life-time appointments for Supreme Court justices. She highlights that this is not the practice globally in any long-established judicial system. However, she does not suggest that a constitutional amendment changing this is even a remote possibility.

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0 of 0 people found the following review helpful.
This is not a content of book review
By J.Sheets
Needed this for a college class, it was much cheaper to download it on Kindle cloud then buying a paper version I will never look at again and I had it right away

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